Fences
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| August Wilson |
Act 1 , Scene 1
Act One Scene One
It is 1957. TROY and BONO enter the yard , engaged in conversation. TROY is fifty -three years old a large man with thick , heavy hands; it is this
largeness that he strives to fill out and make an accommodation with. Together with his blackness , his largeness informs his sensibilities and the
choices he has made in his life.
Of the two men, BONO is obviously the follower. His commitment to their friendship of thirty-odd years is rooted in his admiration of TROY's honesty,
capacity for hard work, and his strength, which BONO seeks to emulate.
It is Friday night, payday, and the one night of the week the two men engage in a ritual of talk and drink. TROY is usually the most talkative and at
times he can be crude and almost vulgar, though he is capable of rising to profound heights of expression. The men carry lunch buckets and wear or
carry burlap aprons and are dressed in clothes suitable to their jobs as garbage collectors.
BONO Troy, you ought to stop that lying!
TROY I ain't lying! The nigger had a watermelon this big.
(He indicates with his hands.)
- 4 ..
Talking about . . . "What watermelon, Mr. Rand?" I liked to fell out! "What watermelon, Mr. Rand?" . . . And it sitting there big as life.
BONO What did Mr. Rand say?
TROY Ain't said nothing. Figure if the nigger too dumb to know he carrying a watermelon, he wasn't gonna get much sense out of him. Trying to
hide that great big old watermelon under his coat. Afraid to let the white man see him carry it home.
BONO I'm like you ... I ain't got no time for them kind of people.
TROY Now what he look like getting mad cause he see the man fromt he union talking to Mr. Rand?
BONO He come to me talking about . . . "Maxson gonna get us fired." I told him to get away from me with that. He walked away from me calling you
a troublemaker. What Mr. Rand say?
TROY Ain't said nothing. He told me to go down the Commissioner's office next Friday. They called me down there to see them.
BONO Well, as long as you got your complaint filed, they can't fire you. That's what one of them white fellows tell me.
TROY I ain't worried about them firing me. They gonna fire me cause I asked a question? That's all I did. I went to Mr. Rand and asked him, "Why?"
Why you got the white mens driving and the colored lifting?" Told him, "what's the matter, don't I count? You think only white fellows got sense
enough to drive a truck. That ain't no paper job! Hell, anybody can drive a truck. How come you got all whites driving and the colored lifting? He told
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me "take it to the union." Well, hell, that's what I done! Now they wanna come up with this pack of lies.
BONO I told Brownie if the man come and ask him any questions . . . just tell the truth! It ain't nothing but something they done trumped up on you
cause you filed a complaint on them.
TROY Brownie don't understand nothing. All I want them to do is change the job description. Give everybody a chance to drive the truck. Brownie
can’t see that. He ain't got that much sense.
BONO How you figure he be making out with that gal be up at Taylors' all the time . . . that Alberta gal?
TROY Same as you and me. Getting just as much as we is. Which is to say nothing.
BONO It is, huh? I figure you doing a little better than me . . . and I ain't saying what I'm doing.
TROY Aw, nigger, look here ... I know you. If you had got anywhere near that gal, twenty minutes later you be looking to tell somebody. And the
first one you gonna tell . . . that you gonna want to brag to ... is gonna be me.
BONO I ain't saying that. I see where you be eyeing her.
TROY I eye all the women. I don't miss nothing. Don't never let nobody tell you Troy Maxson don't eye the women.
BONO You been doing more than eyeing her. You done bought her a drink or two.
TROY Hell yeah, I bought her a drink! What that mean? I bought you one, too. What that mean cause I buy her a drink? I’m just being polite.
- 6 "
BONO It’s alright to buy her one drink. That’s what you call being polite. But when you wanna be buying two or three . . . that’s what you call eyeing
her.
TROY Look here, as long as you known me . . . you ever known me to chase after women?
BONO Hell yeah! Long as I done known you. You forgetting I knew you when.
TROY Naw, I’m talking about since I been married to Rose?
BONO Oh, not since you been married to Rose. Now, that’s the truth, there. I can say that.
TROY Alright then! Case closed.
BONO I see you be walking up around Alberta's house. You supposed to be at Taylors' and you be walking up around there.
TROY What you watching where I'm walking for? I ain't watching after you.
BONO I seen you walking around there more than once.
TROY Hell, you liable to see me walking anywhere! That don't mean nothing cause you see me walking around there.
BONO Where she come from anyway? She just kinda showed up one day.
TROY Tallahassee. You can look at her and tell she one of them Florida gals. They got some big healthy women down there. Grow them right up
out the ground. Got a little bit of Indian in her. Most of them niggers down in Florida got some Indian in them.
BONO I don't know about that Indian part. But she damn
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sure big and healthy. Woman wear some big stockings. Got them great big old legs and hips as wide as the Mississippi River.
TROY Legs don't mean nothing. You don’t do nothing but push them out of the way. But them hips cushion the ride!
BONO Troy, you ain't got no sense.
TROY It’s the truth! Like you riding on Goodyears!
(ROSE enters from the house. She is ten years younger than TROY, her devotion to him stems from her recognition of the possibilities of her life
without him: a succession of abusive men and their babies, a life of partying and running the streets, the Church, or aloneness with its attendant pain
and frustration. She recognizes TROY's spirit as a fine and illuminating one and she either ignores or forgives his faults, only some of which she
recognizes. Though she doesn't drink, her presence is an integral part of the Friday night rituals. She alternates between the porch and the kitchen,
where supper preparations are under way.)
ROSE What you all out here getting into?
TROY What you worried about what we getting into for? This is men talk, woman.
ROSE What I care what you all talking about? Bono, you gonna stay for supper?
BONO No, I thank you, Rose. But Lucille say she cooking up a pot of pigfeet.
TROY Pigfeet! Hell, I'm going home with you! Might even stay the night if you got some pigfeet. You got something in there to top them pigfeet,
Rose?
- 8 "
ROSE I'm cooking up some chicken. I got some chicken and collard greens.
TROY Well, go on back in the house and let me and Bono finish what we was talking about. This is men talk. I got some talk for you later. You know
what kind of talk I mean. You go on and powder it up.
ROSE Troy Maxson, don't you start that now!
TROY
(Puts his arm around her.) Aw, woman . . . come here. Look here, Bono . . . when I met this woman ... I got out that place, say, "Hitch up my pony,
saddle up my mare . . . there's a woman out there for me somewhere. I looked here. Looked there. Saw Rose and latched on to her." I latched on to
her and told her — I'm gonna tell you the truth — I told her, "Baby, I don't wanna marry, I just wanna be your man." Rose told me . . . tell him what
you told me, Rose.
ROSE I told him if he wasn't the marrying kind, then move out the way so the marrying kind could find me.
TROY That's what she told me. "Nigger, you in my way. You blocking the view! Move out the way so I can find me a husband." I thought it over two
or three days. Come back —
ROSE Ain't no two or three days nothing. You was back the same night.
TROY Come back, told her . . . "Okay, baby ... but I'm gonna buy me a banty rooster and put him out there in the backyard . . . and when he see a
stranger come, he'll flap his wings and crow . . ." Look here, Bono, I could watch the front door by myself ... it was that back door I was worried
about.
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